黄宗智（Philip C. Huang 1940- ），著名历史社会学家。普林斯顿大学学士， 华盛顿大学博士，加利福尼亚大学洛杉矶分校（UCLA）历史系教授，1991年晋升“超级教授”，2004年荣休。中国研究中心创办主任（1986—1995），《近代中国》季刊（Modern China）创办编辑。现为中国人民大学法学院讲座教授、兼职博士生导师。主要著作有《法典、习俗、与司法实践：清代与民国的比较》《清代的法律、社会、与文化：民法的表达与实践》《中国研究的规范认识危机》《长江三角洲的小农家庭与乡村发展》《华北的小农经济与社会变迁》等。 王圣，男，1979年生，南开大学文艺学博士，三亚学院教授。海南省拔尖人才，海南省南海名家。海南省比较文学与世界文学学会副会长，海南省人学学会会员，海南省三亚市作协会员，海南省民间文艺家协会会员。研究领域涉及电影理论与批...(展开全部)

列文森（Joseph R. Levenson），哈佛大学博士，曾任加州大学伯克利分校“Sather”讲座教授，美国20世纪五、六十年代中国学研究领域最主要的学术代表之一，美国中国近代思想史研究领域的开拓者和领导者。著有《儒教中国及其现代命运》（Confucian China and Its Modern Fate）等。

列文森（Joseph R. Levenson），哈佛大学博士，曾任加州大学伯克利分校“Sather”讲座教授，美国20世纪五、六十年代中国学研究领域最主要的学术代表之一，美国中国近代思想史研究领域的开拓者和领导者。著有《儒教中国及其现代命运》（Confucian China and Its Modern Fate）等。

列文森（Joseph R. Levenson），哈佛大学博士，曾任加州大学伯克利分校“Sather”讲座教授，美国20世纪五、六十年代中国学研究领域最主要的学术代表之一，美国中国近代思想史研究领域的开拓者和领导者。著有《儒教中国及其现代命运》（Confucian China and Its Modern Fate）等。

Liberal democratic thought in the 20th century is composed of two strands: the classical, which emphasizes human excellence, and the modern, which emphasizes individual freedom and social equality. In these essays, Strauss examines the ambiguous relationship between these tendencies, seeking to illuminate the democratic discourse.

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experi...(展开全部)

Review By choosing to consider the rich interface between liberalism and philosophy (rather than, say, sociology or party organisation), Ryan has opened up a vast and exciting field for exploration and debate. The reader will find not only discussion of the manifold contributions of the great philosophers (biographical details where appropriate and available) but also insights ...(展开全部)

Centring on "words" which connect vocabulary and semantic morphemes, this book makes a systemic and in-depth analysis on the study of modern Chinese lexicology. Firstly, it clarifies the definitions and properties of vocabulary, words and semantic morphemes in Chinese. Then the structure forms of Chinese words are examined. It is worth noting that this research is one of the fi...(展开全部)

Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People’s Republic, the installation of the socialist realist aesthetic...(展开全部)

Gender and sexuality have been neglected topics in the history of Chinese civilization, despite the fact that there is a massive amount of historical evidence on the subject. China's late imperial government was arguably more concerned about gender and sexuality among its subjects than any other pre-modern state. How did these and other late imperial legacies shape twentieth-ce...(展开全部)